Morgan Paull

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Dirty O’Neil
5.1

Dirty O’Neil

May. 01, 1974

Dirty O’Neil

A police officer has very little work as there is virtually no crime in his small California town…until three hoodlums appear and rape a ...
Surf II: The End of the Trilogy
5.3

Surf II: The End of the Trilogy

Evil Nerd Menlo wants to get revenge on some surfers by selling a bad batch of soda called Buzz Cola which turns people into mutant zombies. Its ...
Hells Angels Forever
6.1

Hells Angels Forever

Oct. 09, 1983

Hells Angels Forever

What starts off as a squadron of American daredevil bombers in World War II, branded by society as renegades, turns into a revealing ride into ...
Fade to Black
6.1

Fade to Black

Oct. 14, 1980

Fade to Black

A shy, lonely film buff embarks on a killing spree against those who browbeat and betray him, all the while stalking his idol, a Marilyn Monroe ...
Norma Rae
7.3

Norma Rae

Mar. 02, 1979

Norma Rae

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the ...
The Last Hard Men
6.2

The Last Hard Men

Apr. 22, 1976

The Last Hard Men

In 1909 Arizona, retired lawman Sam Burgade’s life is thrown upside-down when his old enemy Provo and six other convicts escape a ...
Mitchell
2.7

Mitchell

Sep. 10, 1975

Mitchell

A tough-guy cop pursues two drug runners across the city to bust a large syndicate. Very much an anti-hero, Mitchell often ignores the orders of ...
Murph the Surf
6.1

Murph the Surf

Jun. 11, 1975

Murph the Surf

Based on a true story, details the daring 1964 theft of the J.P. Morgan jewel collection from New York’s American Museum of Natural ...
Cahill U.S. Marshal
6.4

Cahill U.S. Marshal

Jul. 11, 1973

Cahill U.S. Marshal

J.D. Cahill is the toughest U.S. Marshal they’ve got, just the sound of his name makes bad guys stop in their tracks, so when his two young ...
Patton
7.9

Patton

Jan. 25, 1970

Patton

„Patton“ tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with patton’s ...